劉慶倫 C. N. Liew


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C. N. Liew

Asia Week named the World Outstanding Young Leaders Award winner C.N. Liew, is the first Chinese artist to have received the calligraphy works of the National Grand Palace since the country’s independence in 1957. His works are also supported by the National Visual Art Gallery, the Embassy of the People’s Republic of China, the Fuji Art Museum in Tokyo, the Buddha’s Memorial Hall in Kaohsiung as well as becoming country collection widely in Europe & Asia Pacific.

He is the disciple of Zen Master Bo Yuan, Most Venerable Yin Shun and The 17th Karmapa – Urgyen Trinley Dorje, as well as with Professor Jao Tsung-I, the Academie des Beaux – Art’s of France – Professor Chu The-Chun, Mr. Tan Swie Hian and so on.
Hiscreation is full of Zen philosophy as well as contemporary art connotation of the symbiosis with the traditional, creative aspects of calligraphy, ink, acrylic, seal and collaboration with contemporary dance, musical and art fashion.
In 2005, C.N. Liew ‘s “Surrealligraphy” won the “Special Award of the First Seoul International Calligraphy Biennial”. In 2012, C.N. Liew became the first Malaysian artist to exhibit at Art Basel, Fine Art Asia, and Art Miami. 2016 Asian Weekly named C.N. Liew as the “World Outstanding Young Leaders Award” winner.

C.N. ‘s “Dialogue with the Masters series” which is an ongoing series of masterpieces reflects on the role of different inspirational artistic movements on his art style. He has always been his own way of creation to perform the dialogues with several historical art masters. It is also his way to pay homage to the masters. In Hong Kong Art Central 2017, C.N. has used his own strokes creation presenting a dialogue with the most famous abstract master — Gerhard Ricther, and be published by Art WeMe Contemporary Gallery. He uses his own styles to express the conversation to the past master, it is also a resemblance of confirmation and affirmation of the skills of both masters. Only when own style is clear, skillful, solid foundation, ideal is clear, one will have the confidence of the master dialogue.

劉慶倫
《亞洲週刊》評選「第一屆全球傑出青年領袖大獎」得獎人
劉慶倫是馬來西亞自1957年獨立以來史上第一位獲得國家大皇宮收藏書法作品的華人藝術家,他的作品同時獲得國家美術館、中華人民共和國大使館、東京富士美術館、高雄佛佗紀念館以及歐美與亞洲多國所收藏。
劉慶倫師承禪門緢素伯圓長老,幸蒙印順導師與十七世大寶法王噶瑪巴烏金聽例多傑尊者接引皈依,並親灸西泠印社社長饒宗頤教授、法蘭西研究院院士朱德群教授、陳瑞獻先生等。
劉慶倫的創作極富禪學哲思,以及當代與傳統共生的美術內涵,創作層面涵蓋書法、水墨、丙烯、篆刻、以及跨領域聯合創作的書法現代舞、音樂劇、水墨服裝設計等等。
2005年劉慶倫所創作的《超現實書法》榮獲「首屆首爾國際書藝雙年展大會特別獎」,2012年劉慶倫成為我國首位同時在巴塞爾藝術展(Art Basel )、典亞藝博(Fine Art Asia)、以及邁亞密藝術展(Art Miami)展出的藝術家。2016年亞洲週刊》評選劉慶倫為「第一屆全球傑出青年領袖大獎」得獎人。
“與大師對話系列”.

劉慶倫一直以來都有自己的創作方式向不同的藝術史大師進行對話,以作為一種向大師致敬的方式。這次香港Art Central, 劉慶倫用了自己的筆觸創作方式呈獻向當代最頂尖的抽象大師Gerhard Richter對話,並由唯美發表。
藝術家以自己的風格與過往的藝術大師對話,是對雙方功力的切磋以及印證和肯定。只有自己的風格鮮明,功力堅實,基礎穩健,理想清晰,才有對大師進行對話的信心。

 

Title: A Dialogue with Gerhard Richard
Size: 150x110cm
Medium: Acrylic on Metal

Title: 大地回春 Spring Comes Round Awakening All Creations
Size: 92 x 62cm
Media: Acrylic on Metal